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Archive for the tag “new”

Yessource: Live in Melbourne, 4/11/12

Here are my latest uploads to YesSource, my Yes rarities youtube page (about which you can read here).  This post is another addition to my series of Yes music posts and a collection of all my Yes-related posts is here.  Yes, of course, is a, if not the, premier progressive rock band, and I am an enormous fan of it.

You can see all of my Yessource uploads here.

My latest YesSource uploads can be found here:

Yessource: Live in Perth, 4/5/12

Here are my latest uploads to YesSource, my Yes rarities youtube page (about which you can read here).  This post is another addition to my series of Yes music posts and a collection of all my Yes-related posts is here.  Yes, of course, is a, if not the, premier progressive rock band, and I am an enormous fan of it.

You can see all of my Yessource uploads here.

My latest YesSource uploads can be found here:

 

Yessource: Live in Auckland, 4/1/12 (Jon Davison’s first show)

Here are my latest uploads to YesSource, my Yes rarities youtube page (about which you can read here).  This post is another addition to my series of Yes music posts and a collection of all my Yes-related posts is here.  Yes, of course, is a, if not the, premier progressive rock band, and I am an enormous fan of it.

You can see all of my Yessource uploads here.

My latest YesSource uploads can be found here:

Yessource: 2007/8 – Jon Anderson with the School of Rock

Here are my latest uploads to YesSource, my Yes rarities youtube page (about which you can read here).  This post is another addition to my series of Yes music posts and a collection of all my Yes-related posts is here.  Yes, of course, is a, if not the, premier progressive rock band, and I am an enormous fan of it.

You can see all of my Yessource uploads here.

My latest YesSource uploads can be found here:

Kanye and Collins: Shredded by Intersectionality

Every now and again I come across a fantastic article the warrants posting here; I recently came across one in Splice Today by my old philosophy professor Dr. Crispin Sartwell from back in my Penn State days which, I thought, was pretty insightful. Be edified.

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A lot of people who assert that Kanye West has gone mad are also angry at him, which lands him in the worst of all possible worlds: held not to be responsible for his actions by the very same people who are blaming him. I’ve been there, brother. But Kanye is being ripped apart by forces larger than insomnia. He’s like the Jesus of intersectionality, crucified for our sins on the cross of fallacious reasoning. The problem isn’t that Kanye makes no sense—though he doesn’t—it’s that everyone talking about Kanye make no sense either. The Sufferings of Kanye have been sent to us as a message from God: if you don’t generate a coherent way of thinking about race, gender, and politics, I’m going to come over and smack you.

Sen. Susan Collins has been tacked to the same wretched cross, which defines a four-box grid: male, female, minority, white. That’s the menu from which we each get to pick who we are, because it’s as many identities as political consultants can keep in their heads simultaneously.

People find a lot of ways to say “race traitor” and “gender traitor” without saying it, and now Kanye knows what it feels like to be a wigger in the whitebread suburbs, and Collins what it’s like to be a drag queen. But though Kanye betrayed his politically-unanimous race—because Donald Trump is a racist—he kept faith with his politically-unanimous gender, because Trump’s also a sexist. The people most outraged by Kanye are also those (Michael Eric Dyson, for example) who believe that a progressive future is demographically inevitable, because of a growing coalition of women and minorities. But that inspiring coalition includes one half of Kanye West (and for that matter one half of Dyson and Collins) and excludes the other.

The American political spectrum is largely collapsing into demographics: it’s not defined by what you believe, but skin-tone and gonads, and both sides are engaged in internal gender cleansing. This is one of the things you identitarians had better talk about when you talk about “intersectionality”: people like Kanye and Collins—black men and white women—have intersectional identities alright, identities that land different bits of themselves on different sides of the political spectrum. No wonder they seem a bit bewildered.

On this way of thinking, the inmost identity of each of us is a simple matrix of group memberships. But only half of Kanye’s identity is invited to the progressive party. The minority member should be piping up while the man quiets down and listens to the people he’s oppressed. That’s how you get the Kanye we saw in the Oval, or the Collins we saw address the Senate: several people at once or no one at all. Identity politics as currently conceived confronts us all with a fateful question: is Kanye blacker than he is male, or more male than he is black? Perhaps some sort of DNA test could help with this?

What’s remarkable is that Kanye is conscious of this, and he explains his own support for Trump directly as a matter of gender.

West: “You know, they tried to scare me to not wear this hat—my own friends. But this hat, it gives me—it gives me power, in a way. You know, my dad and my mom separated, so I didn’t have a lot of male energy in my home. And also, I’m married to a family that—(laughs)—you know, not a lot of male energy going on. It’s beautiful, though. But there’s times where, you know, there’s something about—you know, I love Hillary. I love everyone, right? But the campaign ‘I’m with her’ just didn’t make me feel, as a guy, that didn’t get to see my dad all the time—like a guy that could play catch with his son. It was something about when I put this hat on, it made me feel like Superman. You made a Superman. That was my—that’s my favorite superhero. And you made a Superman cape.”

Then on to the “hero’s journey” and “dragon energy”: straight out of the “men’s movement” circa 1986.

The gender gap right now is running at an all-time high of around 30 percent. It’s going to be something when we have pure gender parties, or straight-up politics of the playground: boys against girls. But then, if the same party that represents all the men also represents all the white people, and the same party that represents all the women represents all the members of racial minority groups, what are Kanye or Collins to do?

Our politics appears to be breaking down into two race/gender coalitions, which is a remarkable development, among other things, for how disgusting it is. But the good part is that the politics it describes is impossible, because it not only separates us from one another, but separates many of us from ourselves. It’s evil, but it’s also silly, so I suppose we just have to watch it play out.

I’d expect no wave in the midterm elections; if you ran a computer model on this incoherent way of understanding the electorate, it would show a stalemate in perpetuity. The greater the proportion of minorities, of course, the greater the proportion of minority men, who may well respond to dragon energy and hero’s journeys. More women in the Senate may well mean more white women in the Senate.

So while we may bemoan the incoherence of identity politics as it emerges from both sides now, we can celebrate that incoherence too, for even if identity politics wins, it loses.

This article can be found here.

 

Yessource: 2011 Fly From Here edits, singles, and videos

Here are my latest uploads to YesSource, my Yes rarities youtube page (about which you can read here).  This post is another addition to my series of Yes music posts and a collection of all my Yes-related posts is here.  Yes, of course, is a, if not the, premier progressive rock band, and I am an enormous fan of it.

You can see all of my Yessource uploads here.

My latest YesSource uploads can be found here:

Yessource: 2006 – Chris Squire and Billy Sherwood live with Conspiracy

Here are my latest uploads to YesSource, my Yes rarities youtube page (about which you can read here).  This post is another addition to my series of Yes music posts and a collection of all my Yes-related posts is here.  Yes, of course, is a, if not the, premier progressive rock band, and I am an enormous fan of it.

You can see all of my Yessource uploads here.

My latest YesSource uploads can be found here:

What an Audacious Hoax Reveals About Academia

Over the past 12 months, three scholars—James Lindsay, Helen Pluckrose, and Peter Boghossian—wrote 20 fake papers using fashionable jargon to argue for ridiculous conclusions, and tried to get them placed in high-profile journals in fields including gender studies, queer studies, and fat studies. Their success rate was remarkable: By the time they took their experiment public late on Tuesday, seven of their articles had been accepted for publication by ostensibly serious peer-reviewed journals. Seven more were still going through various stages of the review process. Only six had been rejected.

In the late 1990s, Alan Sokal, a professor of physics at New York University, began a soon-to-be-infamous article by setting out some of his core beliefs:

that there exists an external world, whose properties are independent of any individual human being and indeed of humanity as a whole; that these properties are encoded in “eternal” physical laws; and that human beings can obtain reliable, albeit imperfect and tentative, knowledge of these laws by hewing to the “objective” procedures and epistemological strictures prescribed by the (so-called) scientific method.

Sokal went on to “disprove” his credo in fashionable jargon. “Feminist and poststructuralist critiques have demystified the substantive content of mainstream Western scientific practice, revealing the ideology of domination concealed behind the façade of ‘objectivity,’” he claimed. “It has thus become increasingly apparent that physical ‘reality,’ no less than social ‘reality,’ is at bottom a social and linguistic construct.”

Next, Sokal sent off this jabber to Social Text, a peer-reviewed academic journal that was, at the time, a leading intellectual forum for famous scholars including Edward Said, Oskar Negt, Nancy Fraser, Étienne Balibar, and Jacques Rancière. It was published.In the eyes of his supporters, what came to be known as the Sokal Hoax seemed to prove the most damning charges that critics of postmodernism had long leveled against it. Postmodern discourse is so meaningless, they claimed, that not even “experts” can distinguish between people who make sincere claims and those who compose deliberate gibberish.

In the months after Sokal went public, Social Text was much ridiculed. But its influence—and that of the larger “deconstructivist” mode of inquiry it propagated—continued to grow. Indeed, many academic departments that devote themselves to the study of particular ethnic, religious, and sexual groups are deeply inflected by some of Social Text’s core beliefs, including the radical subjectivity of knowledge.

That’s why Lindsay, Pluckrose, and Boghossian set out to rerun the original hoax, only on a much larger scale. Call it Sokal Squared.

Generally speaking, the journals that fell for Sokal Squared publish respected scholars from respected programs. For example, Gender, Place and Culture, which accepted one of the hoax papers, has in the past months published work from professors at UCLA, Temple, Penn State, Trinity College Dublin, the University of Manchester, and Berlin’s Humboldt University, among many others.

The sheer craziness of the papers the authors concocted makes this fact all the more shocking. One of their papers reads like a straightforward riff on the Sokal Hoax. Dismissing “western astronomy” as sexist and imperialist, it makes a case for physics departments to study feminist astrology—or practice interpretative dance—instead:

Other means superior to the natural sciences exist to extract alternative knowledges about stars and enriching astronomy, including ethnography and other social science methodologies, careful examination of the intersection of extant astrologies from around the globe, incorporation of mythological narratives and modern feminist analysis of them, feminist interpretative dance (especially with regard to the movements of the stars and their astrological significance), and direct application of feminist and postcolonial discourses concerning alternative knowledges and cultural narratives.

The paper that was published in Gender, Place and Culture seems downright silly. “Human Reaction to Rape Culture and Queer Performativity at Urban Dog Parks in Portland, Oregon” claims to be based on in situ observation of canine rape culture in a Portland dog park. “Do dogs suffer oppression based upon (perceived) gender?” the paper asks.

By drawing upon empirical studies of psychological harms of objectification, especially through depersonalization, and exploring severel veins of theoretical literature on nonphysical forms of sexual violence, this articles seeks to situate non-concensual male autoerotic fantasizing about women as a form of metasexual violence that depersonalizes her, injures her being on an affective level, contributes to consequent harms of objectification and rape culture, and can appropriate her identity for the purpose of male sexual gratification.

Sokal Squared doesn’t just expose the low standards of the journals that publish this kind of dreck, though. It also demonstrates the extent to which many of them are willing to license discrimination if it serves ostensibly progressive goals. This tendency becomes most evident in an article that advocates extreme measures to redress the “privilege” of white students. Exhorting college professors to enact forms of “experiential reparations,” the paper suggests telling privileged students to stay silent, or even binding them to the floor in chains. If students protest, educators are told to

take considerable care not to validate privilege, sympathize with, or reinforce it and in so doing, recenter the needs of privileged groups at the expense of marginalized ones. The reactionary verbal protestations of those who oppose the progressive stack are verbal behaviors and defensive mechanisms that mask the fragility inherent to those inculcated in privilege.

Like just about everything else in this depressing national moment, Sokal Squared is already being used as ammunition in the great American culture war. Many conservatives who are deeply hostile to the science of climate change, and who dismiss out of hand the studies that attest to deep injustices in our society, are using Sokol Squared to smear all academics as biased culture warriors. The Federalist, a right-wing news and commentary site, went so far as to spread the apparent ideological bias of a few journals in one particular corner of academia to most professors, the mainstream media, and Democrats on the Senate Judiciary Committee.

These attacks are empirically incorrect and intellectually dishonest. There are many fields of academia that have absolutely no patience for nonsense. While the hoaxers did manage to place articles in some of the most influential academic journals in the cluster of fields that focus on dealing with issues of race, gender, and identity, they have not penetrated the leading journals of more traditional disciplines. As a number of academics pointed out on Twitter, for example, all of the papers submitted to sociology journals were rejected. For now, it remains unlikely that the American Sociological Review or the American Political Science Review would have fallen for anything resembling “Our Struggle Is My Struggle,” a paper modeled on the infamous book with a similar title.

That too is intellectually dishonest. For one, Lindsay, Pluckrose and Boghossian describe themselves as left-leaning liberals. For another, it is nonsensical to insist that nonsense scholarship doesn’t matter because you don’t like the motives of the people who exposed it, or because some other forms of scholarship may also contain nonsense. If certain fields of study cannot reliably differentiate between real scholarship and noxious bloviating, they become deeply suspect. And if they are so invested in overcoming injustice that they are willing to embrace rank cruelty as long as it is presented in the right kind of progressive jargon, they are worsening the problems they purport to address.It would, then, be all too easy to draw the wrong inferences from Sokal Squared. The lesson is neither that all fields of academia should be mistrusted nor that the study of race, gender, or sexuality is unimportant. As Lindsay, Pluckrose, and Boghossian point out, their experiment would be far less worrisome if these fields of study didn’t have such great relevance.

But if we are to be serious about remedying discrimination, racism, and sexism, we can’t ignore the uncomfortable truth these hoaxers have revealed: Some academic emperors—the ones who supposedly have the most to say about these crucial topics—have no clothes.

By Yascha Mounk and published in The Atlantic on October 5, 2018 and can be found here.

 

 

Yessource: Live in Birmingham, 11/11/11

Here are my latest uploads to YesSource, my Yes rarities youtube page (about which you can read here).  This post is another addition to my series of Yes music posts and a collection of all my Yes-related posts is here.  Yes, of course, is a, if not the, premier progressive rock band, and I am an enormous fan of it.

You can see all of my Yessource uploads here.

My latest YesSource uploads can be found here:

Yessource: Live in Barcelona, 11/5/11

Here are my latest uploads to YesSource, my Yes rarities youtube page (about which you can read here).  This post is another addition to my series of Yes music posts and a collection of all my Yes-related posts is here.  Yes, of course, is a, if not the, premier progressive rock band, and I am an enormous fan of it.

You can see all of my Yessource uploads here.

My latest YesSource uploads can be found here:

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