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Yesstats Update: Post 8/14/17 Show

This post is the part of my Yes concert series of posts.  I started this series here and you can read the others here.

I saw the progressive rock band Yes play at the Hershey Theater in Hershey, PA on August 14, 2017 during the their Yestival Tour.  I will be posting a review soon.

As I tend to be a pedantic, borderline OCD, person, I like to statistically keep track of various aspects of the Yes shows I have seen over years.  I posted various catalogs of things regarding these shows to this blog, and after each subsequent concert I update all those posts.

The following posts have all been updated in light of the above-mentioned August 14, 2017 show:

If you keep track of these sorts of things, please share your stats in the comments section!


A Collection of Yes Post Miscellany

Here is another addition to my series of Yes music posts.  I started this series here and a collection of all my Yes-related posts is here.

Over the past few years I have put up various posts commenting on Yes, it’s lineups, special events and items, and various aspects of concert going (e.g.: concert shirts and tickets).  I have listed them all here.  Check them out!


Reviews of Yes Members’ Activity Outside of Yes Roundup

Here is another addition to my series of Yes music posts.  I started this series here and a collection of all my Yes-related posts is here.

Over the past few years I have reviewed some of the offerings by Yes members outside of Yes.  I have listed them all here.  Check them out!

My Life in Concerts: the Complete List

Over the course of the last 23 plus years, I have enjoyed the opportunity to go and see many bands in a live setting.  As my readers know, I have seen Yes by far the most, but, contrary to popular belief, Yes (and their openers) is/are not the only band(s) I have ever seen live.

After so many years and shows, I thought it would be fun to try and list and catalogue all the shows I have seen.  I think the list below is about as comprehensive as I can create, and it does not, obviously, include live bands in bars and community festivals and such.

I have also, over the course of this blog, put up numerous posts of tour programs, tickets, reviews, and other things I have collected over the years at concerts.  Here they are below:

Here is, what I think, is my complete list of concerts (227):

Yes (24):

Porcupine Tree (8):

  • 6/23/01: NEARFest 2001
  • 7/26/02: Theater of the Living Arts (with Tim Reynolds)
  • 11/8/02: Tower Theater (with Yes)
  • 7/20/03: Trocadero Theater (with Opeth)
  • 5/21/05: Trocadero Theater (with Tunnels)
  • 9/27/05: Keswick Theater (with Robert Fripp)
  • 10/7/06: Keswick Theater (with ProjeKCt Six)
  • 9/26/09: Electric Factory (with King’s X)

The Musical Box (7):

  • 2/26/04: Keswick Theater
  • 7/9/04: NEARFest 2004
  • 12/17/04: Keswick Theater
  • 12/10/05: Tower Theater
  • 10/20/06: Tower Theater
  • 12/15/07: Tower Theater
  • 8/3/13: Camden Tweeter Center (with Yestival)

Renaissance (3):

  • 10/11/09: Keswick Theater
  • 6/23/12: NEARFest 2012
  • 8/3/13: Camden Tweeter Center (with Yestival)

Philadelphia Orchestra (3):

  • 4/5/05: Verizon Hall
  • 9/24/05: Verizon Hall
  • Another date: Mann Music Center

Änglagård (2):

  • 6/29/03 NEARFest 2003
  • 6/23/12 NEARFest 2012

Asia (2):

Banco del Mutuo Soccorso (2):

Bela Fleck and the Flecktones (2):

  • 8/1/96: Keswick Theater
  • 8/5/08: Mann Music Center (with Return to Forever)

DFA (2):

  • 6/17/00: NEARFest 2001
  • 6/20/09: NEARFest 2009

Echolyn (2):

  • 6/29/02: NEARFest 2002
  • 6/22/08: NEARFest 2008

Steve Hackett (2):

King Crimson (2):

Magma (2):

Mike Keneally Band (2):

  • 7/10/04: NEARFest 2004
  • 6/24/12: NEARFest 2012

PFM (2):

Riverside (2):

Tunnels (2):

  •  6/28/03: NEARFest 2003
  • 5/21/05: Trocadero Theater (with Porcupine Tree)

Van Der Graaf Generator (2):

  • 6/19/09: NEARFest 2009
  • 6/22/12: NEARFest 2012

Carl Palmer ELP Legacy Band (2):

  • 8/3/13 Camden Tweeter Center (with Yestival)
  • 8/15/17: Hershey Theater – Yestival Tour

Other (152):

  • Acoustic Trio (Stanley Clarke, Bela Fleck, Jean Luc Ponty): 8/12/05 Mann Music Center
  • After Crying: 6/24/01 NEARFest 2001
  • Alamaailman Vasarat: 6/28/03 NEARFest 2003
  • Alan Parsons Project: 6/27/98 Camden Blockbuster Center (with Yes)
  • Anderson/Ponty: 10/27/15 Keswick Theater
  • Anekdoten: 6/17/00 NEARFest 2000
  • Ange: 6/25/06 NEARFest 2006
  • Aranis: 6/22/12 NEARFest 2012
  • Astra: 6/19/10 NEARFest 2010
  • Beardfish: 6/21/09 NEARFest 2009
  • Bird Songs of the Mesozoic: 6/23/01 NEARFest 2001
  • The Black Eyed Peas (with Rita Marley and Stephen Marley): 7/2/05 Live 8
  • Bon Jovi: 7/2/05 Live 8
  • Cabezas de Cera: 6/20/09 NEARFest 2009
  • California Guitar Trio with Tony Levin: 6/24/01 NEARFest 2001
  • Camel: 6/29/03 NEARFest 2003
  • Canned Heat: 1/21/05 Keswick Theater (with Mountain and Vanilla Fudge)
  • Caravan: 6/30/02 NEARFest 2002
  • Dave Matthews Band: 7/2/05 Live 8
  • Def Leppard: 7/2/05 Live 8
  • Destiny’s Child: 7/2/05 Live 8
  • Deus Ex Machina: 6/23/01 NEARFest 2001
  • Discipline: 6/21/08 NEARFest 2008
  • Dixie Dregs: 4/7/05 Theater of the Living Arts (with Steve Morse Band)
  • Djam Karet: 6/24/10: NEARFest 2001
  • DJ Green Lantern: 7/2/05 Live 8
  • DJ Jazzy Jeff (with Will Smith): 7/2/05 Live 8
  • Bob Drake: 6/23/07: NEARFest 2007
  • Dream Theater: 9/3/04 Allentown Fairgrounds (with Yes)
  • KBB: 6/24/06 NEARFest 2006
  • Keith Emerson: 6/25/06 NEARFest 2006
  • Enchant: 6/30/02 NEARFest 2002
  • The Enid: 6/20/10 NEARFest 2010
  • Fish: 6/20/08 NEARFest 2008
  • The Flower Kings: 6/28/03 NEARFest 2003
  • FM: 6/24/06 NEARFest 2006
  • Forgas Band Phenomena: 6/19/10 NEARFest 2010
  • Peter Frampton: 6/15/10 Tower Theater (with Yes)
  • Robert Fripp: 9/27/05 Keswick Theater (with Porcupine Tree)
  • Frogg Cafe: 7/9/05 NEARFest 2005
  • Gerard: 6/30/02 NEARFest 2002
  • Glass Hammer: 6/29/03 NEARFest 2003
  • Gong: 6/20/09 NEARFest 2009
  • Gosta Berlings Saga: 6/24/12 NEARFest 2012
  • Josh Groban (with Sarah McLachlan): 7/2/05 Live 8
  • Guapo: 6/25/06 NEARFest 2006
  • Peter Hammil: 6/21/08 NEARFest 2008
  • Happy the Man: 6/17/00 NEARFest 2000
  • Hatfield and the North: 6/23/06 NEARFest 2006
  • Hawkwind: 6/23/07: NEARFest 2007
  • Helmet of Gnats: 6/23/12 NEARFest 2012
  • Hidria Spacefolk: 7/11/04 NEARFest 2004
  • High Wheel: 6/28/03 NEARFest 2003
  • Steve Hillage: 6/19/09 NEARFest 2009
  • Allan Holdsworth: 6/22/07: NEARFest 2007
  • Iluvatar: 6/17/00 NEARFest 2000
  • Il Balletto di Bronzo: 6/18/00 NEARFest 2000
  • Il Tempio delle Clessidre: 6/24/12 NEARFest 2012
  • Indukti: 6/24/07: NEARFest 2007
  • Iona: 6/19/10 NEARFest 2010
  • IQ: 7/9/05 NEARFest 2005
  • IZZ: 6/23/07: NEARFest 2007
  • Isildur’s Bane: 6/29/02 NEARFest 2002
  • Jars of Clay: 7/2/05 Live 8
  • Jay-Z (with Linkin Park): 7/2/05 Live 8
  • Jethro Tull: 8/9/03 MusikFest
  • Eddie Jobson / UKZ: 6/20/10: NEARFest 2010
  • Richard Leo Johnson: 6/24/06 NEARFest 2006
  • Kaiser Chiefs: 7/2/05 Live 8
  • Kansas: 7/18/00 Camden Blockbuster Center (with Yes)
  • Toby Keith: 7/2/05 Live 8
  • Kenso: 7/10/05 NEARFest 2005
  • Alicia Keys: 7/2/05 Live 8
  • King’s X: 9/26/09 Electric Factory (with Porcupine Tree)
  • Knight Area: 7/10/05 NEARFest 2005
  • Koenji Hyakkei: 6/21/08 NEARFest 2008
  • Kraan: 6/29/03 NEARFest 2003
  • La Maschera di Cera: 6/24/04: NEARFest 2007
  • La Torre dell’Alchimista: 6/29/02 NEARFest 2002
  • Le Orme: 7/10/05 NEARFest 2005
  • Linkin Park (with Jay-Z): 7/2/05 Live 8
  • Liquid Tension Experiment: 6/21/08 NEARFest 2008
  • Magenta: 6/23/07: NEARFest 2007
  • Sean Malone: 7/11/04 NEARFest 2004
  • Michael Manring: 6/25/06 NEARFest 2006
  • Rita Marley and Stephen Marley (with The Black Eyed Peas ): 7/2/05 Live 8
  • Maroon 5: 7/2/05 Live 8
  • Sarah McLachlan  (with Josh Groban): 7/2/05 Live 8
  • Metamorfosi: 7/11/04 NEARFest 2004
  • Miriodor: 6/29/02 NEARFest 2002
  • Moraine: 6/20/10 NEARFest 2010
  • Morglbl: 6/22/08 NEARFest 2008
  • Mountain: 1/21/05 Keswick Theater (with Canned Heat and Vanilla Fudge)
  • The Muffins: 7/10/05 NEARFest 2005
  • NeBeLNeST: 6/23/07: NEARFest 2007
  • Nektar: 6/29/02 NEARFest 2002
  • Nexus: 6/18/00 NEARFest 2000
  • Niacin: 6/25/06 NEARFest 2006
  • Nicholas Payton Quintet: 10/19/97 Central PA Friends of Jazz
  • North Star: 6/18/00 NEARFest 2000
  • Oblivion Sun: 6/20/09 NEARFest 2009
  • One Shot: 6/22/07: NEARFest 2007
  • Opeth: 7/20/03: Trocadero Theater (with Porcupine Tree)
  • Ozric Tentacles: 6/24/06 NEARFest 2006
  • Pallas: 7/10/04 NEARFest 2004
  • Par Lindh Project: 6/18/00 NEARFest 2000
  • Matthew Parmenter: 7/10/05 NEARFest 2005
  • The Pineapple Thief: 6/20/10 NEARFest 2010
  • Richard Pinhas: 7/10/04 NEARFest 2004
  • Planet X: 7/11/04 NEARFest 2004
  • Present: 7/9/05 NEARFest 2005
  • Procol Harum: 7/20/12 Tower Theater (with Yes)
  • ProjeKCt Six: 10/7/06 Keswick Theater (with Porcupine Tree)
  • Proto-Kaw: 7/8/05: NEARFest 2005
  • Pure Reason Revolution: 6/24/04: NEARFest 2007
  • Quantum Fantasy: 6/21/09 NEARFest 2009
  • Radio Massacre International: 6/22/08 NEARFest 2008
  • Return to Forever: 8/5/08 Mann Music Center (with Bela Fleck and the Flecktones)
  • Tim Reynolds: 7/26/02: Theater of the Living Arts (with Porcupine Tree)
  • Robert Rich: 6/24/04: NEARFest 2007
  • Steve Roach: 7/9/05 NEARFest 2005
  • Todd Rundgren: 8/15/17: Hershey Theater – Yestival Tour
  • Scale the Summit: 8/3/13 Camden Tweeter Center (with Yestival)
  • The School of Rock: 8/3/13 Camden Tweeter Center (with Yestival)
  • Second Sufis: NEARFest 2003
  • Secret Oyster: 6/22/07: NEARFest 2007
  • Sleepytime Gorilla Museum: 629/03 NEARFest 2003
  • Will Smith (with DJ Jazzy Jeff): 7/2/05 Live 8
  • Spaced Out: 6/30/02 NEARFest 2002
  • Steve Morse Band: 4/7/05 Theater of the Living Arts (with Dixie Dregs)
  • Strawbs: 7/11/04 NEARFest 2004
  • Styx: 7/4/11 Camden Tweeter Center (with Yes)
  • Syd Arthur: 7/19/14 Upper Darby Tower Theater (with Yes)
  • Synergy (Larry Fast): 6/20/08 NEARFest 2008
  • Thinking Plague: 6/18/00 NEARFest 2000
  • Three Friends: 6/19/10 NEARFest 2010
  • The Tony Levin Band: 6/23/06 NEARFest 2006
  • Toto: 8/9/15: Borgata, Atlantic City (with Yes)
  • Transatlantic: 6/18/00 NEARFest 2001
  • Trettioariga Kriget: 6/21/09 NEARFest
  • Twelfth Night: 6/23/12 NEARFest 2012
  • U.K.: 6/24/12 NEARFest 2012
  • The Underground Railroad: 6/24/01 NEARFest 2001
  • Under the Sun: 6/24/01 NEARFest 2001
  • Univers Zero: 7/10/04 NEARFest 2004
  • Vanilla Fudge: 1/21/05 Keswick Theater (with Mountain and Canned Heat)
  • Volto!: 8/3/13 Camden Tweeter Center (with Yestival)
  • Rick Wakeman: 10/29/03 Electric Factory
  • Kanye West: 7/2/05 Live 8
  • White Willow: 6/23/01 NEARFest 2001
  • Wobbler: 7/9/05 NEARFest 2005
  • Yezda Urfa: 7/10/04 NEARFest

Yes Album Review Collection

Here is another addition to my series of Yes music posts.  I started this series here and a collection of all my Yes-related posts is here.

Over the past few years I have reviewed the most recent offerings by Yes.  I have listed them all here.  Check them out!

Yes Statistics Collection

Here is another addition to my series of Yes music posts.  I started this series here and a collection of all my Yes-related posts is here.

Over the past few years I have collected and developed statistics for the Yesshows I have attended.  I have listed them all here.  Check them out!  What are your Yesshow statistics?

Yes Concert Reviews Roundup

Here is another addition to my series of Yes music posts.  I started this series here and a collection of all my Yes-related posts is here.

Over the past few years I have written reviews and posted photographs of most of the Yesshows I have attended.  I have listed them all here.  Check them out!

  • 10/25/97: Upper Darby Tower Theater – Open Your Eyes Tour
  • 12/12/99: Upper Darby Tower Theater – The Ladder Tour
  • 8/21/01: Philadelphia Mann Music Center – Magnification Tour
  • 8/8/02: Camden Tweeter Center – Full Circle Tour Part 1
  • 5/10/04: Philadelphia Spectrum – Thirty-Fifth Anniversary Tour Part 1
  • 9/3/04: Allentown Fairgrounds – Thirty-Fifth Anniversary Tour Part 2 (with Dream Theater opening)
  • 11/21/08: Borgata, Atlantic City – In the Present Tour Part 1
  • 7/28/09: Upper Darby Tower Theater – In the Present Tour Part 2 (with Asia opening)
  • 2/12/10: Tropicana, Atlantic City – In the Present Tour Part 3
  • 6/15/10: Upper Darby Tower Theater – In the Present Tour Part 4 (with Peter Frampton opening)
  • 4/2/11: Tropicana, Atlantic City – Rite of Spring Tour
  • 7/4/11: Camden Tweeter Center – Fly From Here Tour Part 1 (with Styx opening)
  • 7/20/12: Upper Darby Tower Theater – Fly From Here Tour Part 2 (with Procol Harum opening)
  • 4/7/13: Sands Bethlehem – Three Albums Tour Part 1
  • 8/3/13: Camden Tweeter Center – Three Albums Tour Part 2 – Yestival show (this show commemorated the 45th anniversary of Yes’ first show and included Roger Dean, The Musical Box, Carl Palmer ELP Legacy Band, Renaissance, Scale the Summit, Volto!, and The School of Rock)
  • 7/19/14: Upper Darby Tower Theater – Heaven & Earth Tour (with Syd Arthur opening)
  • 8/9/15: Borgata, Atlantic City – North American Summer Tour (with Toto opening)
  • 7/31/16: Sands Bethlehem – USA 2016 The Album Series Tour
  • 10/16/16: Keswick Theater in Glenside, PA – ARW Tour – An Evening of Yes Music and More

Porcupine Tree Posts Round Up

Porcupine Tree was, for a number of years, my favorite new progressive rock band and, as a result, I tried to go see them as much as I could when I was not seeing Yes.  I have posted about them a number of times in this blog and you can find those posts below:



Random Concert Ticket Photos

As my readers know, I am a very avid concert goer.  Granted, since I have had children, I have had less time and less money to dedicate to seeing shows, but I still try to get two or three in every year.

For fun, I have already posted some tickets before, which you can find here:

I have also been to a variety of shows that really do not fit into any categories and I have posted a sort of grab bag of tickets below for various and miscellaneous shows.



20160203_210622 20160203_210649







20160203_210813 20160203_210820



20160203_210848 20160203_210901

  • Asia (a program from this show can be found here and a review here)


ARW: in Parallel with Yes?

This post is the part of my Yes concert series of posts.  I started this series here and you can read the others here.


I saw the progressive rock band ARW play a show at the at the Keswick Theater in Glenside, PA on October 16, 2016 during the their ARW Tour.  While the official Yes band exists and is touring (see here), former Yes members Jon Anderson (vocals), Trevor Rabin (guitars), and Rick Wakeman (keyboards) decided to form a band – called ARW – and tour in order to do homage to their common heritage as members of Yes.  Wakeman recruited his friend, bass player Lee Pomeroy, while Rabin netted his friend drummer Lou Molino III, to flesh out the band.  While technically (i.e.: legally) not Yes, the band’s tour is being advertised as “An Evening of Yes Music and More” and in interviews the band seems to view themselves as the next phase of Yes or at least a Yes-band even if they cannot legally use the name.  A similar phenomenon happened in 1989 with ABWH, and that band seems to have been folded into official Yes history.


The official Yes has a lineup has been greatly watered down, and I have written a piece on whether it, philosophically/spiritually/ontologically (not legally) speaking, can really, legitimately, and in good faith, claim the name Yes (see here).


When ARW formed, I immediately wondered if that band, with its vaunted line up, would be the true and rightful heir to the Yes name regardless of whether they are legally permitted to use it.  ARW currently exists in parallel to Yes (hence the name of this post (see here)).


On the face of it, ARW’s line up is leagues above that of Yes in 2016.  Even with only three guys – the A and R and W – ARW members have a stronger claim and are more inherent to Yes history than the five guys of Yes 2016 together.  Anderson is, of course, a Yes founder and main song writer, while Wakeman is their most important keyboard player, while Rabin was their prime mover during their 1980s resurgence.  Compare this lineup with Yes2016 which contains no founder, and consists of their most important guitar player (Steve Howe), their fourth keyboard player (Geoff Downes who has only played on fairly obscure non-classic albums in 1980, 2011, and 2014), a bass player who had some involvement with Yes in the 1990s but never on bass (Billy Sherwood who was a supporting touring musician, and eventual sixth member, in the 1990s, and played on two non-classic albums (one of which is universally considered the worst Yes album) and helped produce a couple of others), and a drummer who has never played on any Yes album (Jay Schellen).  Of course, if drummer Alan White returns, it will increase Yes’ claim to the name as he has been in the band and on every album since 1972 (but those albums do not include the “big three” of The Yes Album, Fragile, and Close to the Edge).  Still, it would seem the scales tip toward ARW as far as a rightful claim to the name Yes is concerned if personnel is the only consideration.


In fairness, though, there is more to a band than membership.  When I went to see ARW , I fully expected to see a Yes concert.  In many ways it was: it had the voice and keyboard wizardry one expects to see at a Yesshow.  In saying that, Rabin has always been difficult for me to embrace.  I am not a big fan of his and what he did to Yes in the 1980s.  I find his playing has always tended toward a sort of one dimensional generic 1980’s shredder sort of playing (with a vague John McLaughlin edge).  His playing always seems to tend toward screaming Stratocaster sounds, with a lot of notes and a lack of diversity in sounds, tones, and instrumentation.  As a result, just as he did in his last tenure with Yes, he continues to reinterpret Steve Howe’s guitar parts by flatting them out, eliminating the subtly and stylistic variety and tonal variety and instrumental variety (replacing acoustics, twelve string, steel guitars, etc with a single electric guitar) Steve Howe brought to the music, and replacing all of that with his trademark faux-Van Halen playing.  So, unless they played Yes’ 1980s music, Rabin’s guitar playing just does not sound Yessish to me.  I am not asking for a Howe clone, but I feel like Rabin’s style is so completely different – and unoriginal and non-prog rock – that it just does not mesh well with Howe’s Yes music.  I think this really comes to the fore with songs like “Awaken” or “And You And I,” where they sound completely different and not in a prog rock sort of way.


Surprisingly, though, even with the 1980s songs, Rabin’s live chops seem to have diminished due to his twenty-two years away from the stage.    His singing was warbley at times and his playing lacked the excitement and pyrotechnics he used to exhibit during his prior tenure with Yes.  He used to a showman, walking the stage and playing to the audience, but, now, that aspect of his performance was gone.  His stage performance was reserved, perhaps even conservative, as he seemed to be concentrating on his playing as opposed to his stage presence.


Even if I liked Rabin and his chops were up to snuff, ARW’s performance and sound just was not what I expect from Yes.  Yes’s sound has always been marked by the involvement of five completely integrated musicians, each often struggling to make themselves heard in the face of four other strong musicians.  Unlike Yes – or a true five piece band – the drummer and bass player in ARW were clearly support musicians.  They, more or less, stayed out of the spotlight and were there to support the main three – the ARW.  Although the drummer was pretty good, I have to say that his snare drum sounded like a cardboard box filled with old clothes, which is not at all what Yes drums sound like.  The bass player also seemed like he was a good bass player, but, unlike Chris SquireBilly Sherwood, or even Tony Levin, his sound levels was rather low as compared to the other members.  Again, because I think he and the drummer were to get out of the way of ARW.  Even Tony Kaye or Benoit David, arguably the weakest and/or most humble members of the band, were fully integrated into the sound of the band.  By contrast, the bass and drums were clearly secondary to ARW.


While it is difficult to suppress the sound of the drums, to me the biggest contrast with Yes was the bass.  It has nothing to do with Pomeroy’s chops.  It has to do with the fact that a key element to Yes music is a big, fat, and prominent bass sound pushing back against the guitar and keyboards.  The bass parts are not just loud, but key elements to the music itself.  Sherwood has kept this tradition alive and, during his brief tenure, Levin respected it.  By contrast, Pomeroy’s bass was subdued, and not an equal part of the music as compared to ARW.  Indeed, even his placement on the stage – in the back behind Anderson and/or Rabin – tacitly revealed his secondary place in the band.  Gone was the powerful bass player on stage going toe-to-toe with the guitarist and/or keyboardist one expects from Yes.


In addition, strong vocal harmonies is also a key element to Yes music.  While Anderson’s voice was backed up by the other members of the ARW band, the strong vocal harmonies that are so integral to Yes were missing.  The other singers were not mixed nearly as high as Anderson and, quite frankly, Anderson’s voice was not mixed particularly high either.  Suffice it to say, the backing singing just was not as as strong as one would expect for Yes.  As a result, the music had a much different feel and sound than what one would expect from Yes.


If there was one thing that marked the ARW show I saw is that it was safe.  The performances – notably Anderson and Rabin – tended toward the safe notes.  Instead of a dynamic high note, a safer more standard note was sung.  Instead of the blistering solos of old, Rabin tended to play it safe and were more measured.  Even Wakeman – though still amazing – did not play some of the things he used to play.  For example, he did not play his more juiced up keyboard parts on “Rhythm of Love” as he did on the Union Tour or similar interesting playing on “Cinema” that Igor Khoroshev played.  In his case, though, it seems like a lack of preparation.


So, strangely enough, despite the advantage in the line up, ARW just does not have the sound and feel of Yes.  Their sound, thus far, was safe, lacking full integration of the rhythm section, and is missing key vocal harmonies.  Despite the lineup disadvantage, the Yes of 2016 sounds like Yes should sound like and presents itself as Yes traditionally has: powerful, five fully integrated members, prominent vocal harmonies, and taking chances.


As with Yes2016, the future of ARW will determine whether they can become legitimate heirs to the Yes name.  Right now – despite the Yes nostalgia that Anderson and Wakeman and Rabin bring to bear to ARW – Yes2016, to me, has maintained the spirit, sound, and feel of Yes, whereas ARW merely seems like old friends having fun trying to relive some good memories.  My ultimate hope is that the two bands will merge to form one single band – ala Union – and Yes can be reunited into the band it should be with its core members playing and sounding like they should.

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